EAR WAVE EVENT wants your music!

None of the music on this website exists. But don't you wish it did? The reviews that make up this preview of EAR WAVE EVENT were created by a neural network fed and trained on contemporary music press. Inverting the normal flow of music criticism, we invite artists to use these reviews prescriptively - to create realizations of musics 'imagined' by a prosthetic mind.

Please send submissions by January 22nd, 2020.

After February 3rd, 2020, EAR WAVE EVENT Issue 5, a complete 'music magazine,' will be released with YOUR audio.

Simply hit the submit button on any given review to add your music.

Giant Swan
The Four Fittest

Released some months after the death of their friend and collaborator Ian Hodgson, this debut Giant Swan album collects their best work to date. They've combined their keen craftiness for songs with folk wisdom and surprising dissonance for an album that's simultaneously cerebral and energetic. Opener "The Four Fittest" features the rousing brass theme backed by trombonist Richard Kurkjian's majestic slide guitar and John Butcher's organ, turning it into a re-enactment of the opera La Pucelle Suivière.

As The Giant Swan lead the listener through various emotional and spatial orientations, their music is both gentle and robust, with a depth of experience that suggests a long-term trend in the development of electronic music. After this, the mood changes, though, as the tremolo guitar and David Tom's tenor piano establish a confident footing for a vocal from prodigy Hannah Marshall. The album closes with the stirring title track, which represents the exhibition's most adventurous foray into the vocal department so far.

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