Tom Darraghy is a name that many recreationally-oriented musicians have heard before in various forms of hardcore / noise / drone / industrial / noise. His previous releases focused on guitars and electronics and "Behold The Reaper" is a collection of works that was recorded between 1999–2002. Darraghy's technique is to use a bell and a little string to create varying timbres that act as drones, overlaid with shortwave broadcasts, and processed into a soup of sound that’ll go down in infamy if it is allowed to.